Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists.
POUSSIN, Nicolas French Baroque Era Painter, 1594-1665
French painter and draughtsman, active in Italy. His supreme achievement as a painter lies in his unrivalled but hard-won capacity to subordinate dramatic narrative and the expression of extreme states of human passions to the formal harmony of designs based on the beauty and precision of abstract forms. The development of his art towards this end was focused on the search for a point of equilibrium and synthesis between the forces of the Classical and the Baroque around which most critical debate in Rome was concentrated during the 1630s. Poussin did not aspire to the classicism of Raphael's idealized human forms or Michelangelo's re-embodiment of the physical splendours of the antique world, nor did he attempt to vie with the bravura and energy of Annibale Carracci's treatment of Classical mythology in the Galleria of the Palazzo Farnese in Rome. Equally he was not concerned with the illusionistic effects and heightened emotionalism of Baroque artists such as Pietro da Cortona and Lanfranco. He was concerned above all with interpreting his subject-matter, whether Classical or religious, and telling a story with the greatest possible concentration of emotional response,
POUSSIN, Nicolas Moise changeant en serpent la verge d'Aaron mk70
Toile
H.0.92
L.1.28
Paris,Muss du Louvre
Painting ID:: 31038
X
POUSSIN, Nicolas Le jugement de Salomon Toile
H.1.01
L.1.50
Paris,Musee du Louvre
Painting ID:: 31039
X
POUSSIN, Nicolas Les aveugles de jericho mk70
Toile.
H.1.19
L.1.76
Paris,Musee du Louvre
Painting ID:: 31040
X
POUSSIN, Nicolas Eliezer dt Rebecca mk70
Toile
H.1.18
L.1.99
Paris,Musee du Louvre
Painting ID:: 31041
X
POUSSIN, Nicolas L.Hiver ou Le deluge mk70
Toile
H.1.18
L.1.60
Paris,Musee du Louvre
Painting ID:: 33558
X
POUSSIN, Nicolas Triumph of Neptune and Amphitrite mk86
1634
Oil on canvas
114.5x146.6cm
Philadelphia,Philadelphia Museum of Art
Painting ID:: 41052
X
POUSSIN, Nicolas Tanecred and Erminia mk159
c.1631-33
Oil on canvas
98x147cm
Painting ID:: 51220
X
POUSSIN, Nicolas Echo and Narcissus 1628-30
Oil on canvas,
74 x 100 cm
Painting ID:: 51235
X
POUSSIN, Nicolas The Assumption of the Virgin 1650
Oil on canvas,
57 x 40 cm
Painting ID:: 63817
X
POUSSIN, Nicolas The Nurture of Bacchus 1630-35 Oil on canvas, 97 x 136 cm Mus?e du Louvre, Paris This painting is also called The Childhood of Bacchus or The Small Bacchanal.Artist:POUSSIN, Nicolas Title: The Nurture of Bacchus Painted in 1601-1650 , French - - painting : mythological
Painting ID:: 64723
X
POUSSIN, Nicolas Autumn 1660-64 Oil on canvas, 118 x 160 cm Mus?e du Louvre, Paris This painting is part of a series of four, entitled the Seasons. The pictures are a sequence, and they are hung in this way in the Grande Galerie of the Louvre. Artist:POUSSIN, Nicolas Title: Autumn, 1601-1650, French , painting , landscape
French Baroque Era Painter, 1594-1665
French painter and draughtsman, active in Italy. His supreme achievement as a painter lies in his unrivalled but hard-won capacity to subordinate dramatic narrative and the expression of extreme states of human passions to the formal harmony of designs based on the beauty and precision of abstract forms. The development of his art towards this end was focused on the search for a point of equilibrium and synthesis between the forces of the Classical and the Baroque around which most critical debate in Rome was concentrated during the 1630s. Poussin did not aspire to the classicism of Raphael's idealized human forms or Michelangelo's re-embodiment of the physical splendours of the antique world, nor did he attempt to vie with the bravura and energy of Annibale Carracci's treatment of Classical mythology in the Galleria of the Palazzo Farnese in Rome. Equally he was not concerned with the illusionistic effects and heightened emotionalism of Baroque artists such as Pietro da Cortona and Lanfranco. He was concerned above all with interpreting his subject-matter, whether Classical or religious, and telling a story with the greatest possible concentration of emotional response,